‘Three fabulous gems from the Cameo-Parkway catalogue ensure another winner: The Orlons’ I Ain’t Coming Back, I Love Him So by Nikki Blu, and Comin’ Home Baby by Dee Dee Sharp.’ Loads more lovely stuff.

With the inspirational Elevate Our Minds.
A Richard Evans production from 1979, between Chicago and LA, crowning Linda’s years masterminding Natalie Cole’s success.

Funk and soul from mid-seventies Detroit — with that layer of gritty sophistication you find in Marlena’s Blue Notes, and Esther Phillips’ Kudus of the time.

His masterpiece.