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Mid-seventies disco, produced by Eddie Drennon — Bo Diddley’s musical director, a decade before — and mixed by Tom Moulton.
Featuring the sublime Last Night Changed It All (I Really Had A Ball) — immortal bump’n'hustle from a woman’s point of view, beloved throughout the Zulu Nation as a queen amongst Ultimate Breaks & Beats, and sampled by De La Soul, BDP, Public Enemy, Guru, The Coup… the lot. (Trust Ghostface to piss in the font.)

With the inspirational Elevate Our Minds.
A Richard Evans production from 1979, between Chicago and LA, crowning Linda’s years masterminding Natalie Cole’s success.

Funk and soul from mid-seventies Detroit — with that layer of gritty sophistication you find in Marlena’s Blue Notes, and Esther Phillips’ Kudus of the time.