Typically fine singing, over crisp, bare Tubbys digi, with strong backing vocals on both sides.
Hey Mr. Cop is a draft of the song he recorded for Bunny Lee, over Rumours; the flip does over his Jammys smash.
Dubplate action.

Rough! Same rhythm as Frankie Paul’s Leave It To Me. Moody, inimitable, brilliant Jammys, with inspirational singing by the great CC.

With a deadly, riding-east tang to the moody rhythm, sublime singing, murderous bass… Scorcher.

Gorgeous singing by Carlton (from Carlton & The Shoes and The Abyssinians), with tasty nyabinghi drumming in the accompaniment.
“I was writing songs but I didn’t record until 1968. I did one song for Lee Scratch Perry. He gave me £5 and then I didn’t hear anything more about it. Then I went down to Mrs Pottinger, did one song for her named Live and Love on the Gay Feet label. It was played on the radio for a couple of days and it wasn’t going anywhere really because she had some good artists down there at the time and they did some songs that were doing well, so my song wasn’t getting much promotion and it wasn’t being played. I think I heard it twice on the radio and then I didn’t hear it anymore.”

Terrific roots plodder from 1982, with Bertram Brown and King Tubby at the controls.

Good grief, it’s actually The Chi-Lites, on a John John update of Sleng Teng.

Ace version of The Stylistics’ smash.

A Keith Hudson production with a strong whiff of Studio One to its bumping rhythm. JC typically bosses this song about requited love, which gives no clue where the golden snake comes in.
That’s none other than Clive Chin from Randy’s, toasting on the flip.

Previously a super-scarce JA blank. Hail the almighty Don D’s scorching solo — flashing a split-second premonition of Rico on Message To You, Rudy.

Stately ska loveliness, with Queen Patsy at her very best, disclosing her devotion to Frankie Lymon; and a previously unreleased Webber Sisters on the flip, fizzing with charm.

Ace early Tubbys digi — stripped and moody — with fine, amusing vocals.