Family Man and Jimmy Riley had worked together in the late sixties — a Hippy Boy and a Unique — way before this terrific collaboration in tough, anguished sufferers, woozy with the natural mystic, around the same time as Cobra Style. Signature Wailers music-making seals the deal, with classy, burning horns.

Poignantly-reflective next version of Horace’s Jah Is The One rhythm (from the Pure Ranking set), with MR’s unmistakable moves, and dub.

First time out for this recent do-over of Yabby You’s mighty King Pharaoh’s Plague — with dub.

Fine roots from 1986, with a dose of Burning Spear in the singing. Produced by the Blackheart Man, favoured by Shaka.

Aka Olive Grant — the same Senya who broke through at Randys in 1974 with Oh Jah Come and Children Of The Ghetto — with The Wailers backing.

This beautiful acoustic cut is previously unissued. Raw soulful lovers, with close-harmony backing, and double bass and guitar as irresistible as Egyptian Reggae. Terrific.

All-time-classic Stalag excursion.

Killer roots detournement of Georgia Turner‘s dread blues about a New Orleans brothel, to the tune of a seventeenth-century English folk song, by way of Bob Dylan, Nina Simone and The Animals.
Bunny Gale revives another folk song on the flip — Dead Man’s Chest — via The Viceroys’ classic Studio One outing.
More crucial Keith Hudson runnings, courtesy of Dub Store in Tokyo.

What a tune. A surging, early-seventies Soul Syndicate rhythm, with a fulgent trombone solo; and succinct, profound reasoning from the Don, at his very best, about thinking for yourself. Rebel music to live by; as clear as a bell. That’s a tough Sleepy on the flip, too. Killer.