Tasty rudeboy anthems from Cedric ‘Congos’ Myton, Devon Russell and co —  a dancehall tribute and a jailhouse portent. Double-bass in the place.

Bumping rocksteady — with a gospel, Toots flavour to the A; a little more booting rhythm and blues to the flip.

The Tartans — Prince Lincoln, Cedric Myton, Devon Russell and Berg Lewis.

Two goes, both brilliant, featuring ace trombone. The first take carries the swing, with its wailing, soul-jazz organ more to the fore.

Top-notch, super-soulful rocksteady.
With an alternate take.

Lloyd Charmers, Alva Lewis, Glen Adams and the Barrett brothers, holding a candle for ska at the close of the 1960s. With a precious, uptempo, alternate take, on the flip.

Beautiful mento sufferers for Ronnie Nasralla in 1966. ‘I am the man who fights for the right, not for the wrong.’
People say that’s the first deejay recording on the flip — the wonderful Lord Comic, and his cowboys. ‘Music is real sweet… For your dancing feet.’

Unmissable Maytals, in previously unreleased recordings from 1965.
Toots and co have this Coppa bang to rights — ‘Stop treating the people unkind’ — even before Don D boots him down the street and the hell out of Dodge.

Ace organ-driven rocksteady cut of Love Is A Message, recorded at Treasure Isle on Bunny Lee’s ticket, by youngsters Jacob Miller, Lawrence Weir and Lassive Jones aka Delroy Melody.
They were going by the name The Young Lads, but Jones remembers Striker’s strong advice: “there are too much Lads group, you boys are going to school, you boys are School Boys.”