Two goes, both brilliant, featuring ace trombone. The first take carries the swing, with its wailing, soul-jazz organ more to the fore.

Top-notch, super-soulful rocksteady.
With an alternate take.

Lloyd Charmers, Alva Lewis, Glen Adams and the Barrett brothers, holding a candle for ska at the close of the 1960s. With a precious, uptempo, alternate take, on the flip.

Beautiful mento sufferers for Ronnie Nasralla in 1966. ‘I am the man who fights for the right, not for the wrong.’
People say that’s the first deejay recording on the flip — the wonderful Lord Comic, and his cowboys. ‘Music is real sweet… For your dancing feet.’

Unmissable Maytals, in previously unreleased recordings from 1965.
Toots and co have this Coppa bang to rights — ‘Stop treating the people unkind’ — even before Don D boots him down the street and the hell out of Dodge.

Ace organ-driven rocksteady cut of Love Is A Message, recorded at Treasure Isle on Bunny Lee’s ticket, by youngsters Jacob Miller, Lawrence Weir and Lassive Jones aka Delroy Melody.
They were going by the name The Young Lads, but Jones remembers Striker’s strong advice: “there are too much Lads group, you boys are going to school, you boys are School Boys.”

The Shades had freshly peeled away from The Techniques, because besides singing Winston Riley wanted to try producing, and Bruce Ruffin needed room… and this is a gem of a calling card.
Sweetly hopeful, rocking rocksteady — with an undertow of foreboding — which Junior Delgado revisited for Dennis Brown, ten years later.
There’s a killer Marry Me dub on Meditation Dub, judiciously beginning ‘Boss, boss, boss, boss, boss, boss, boss, boss, boss, boss…’

Lovely Impressions impressions on the eve of the group’s departure from Brentford Road.

Characteristically daring report of Haile Selassie’s visit to JA, kicking off in Amharic. A knees-up crossing of gospel, ska and rhythm and blues — the pianist and drummer taking different views — with vocal backing by The Gaylads. Plus a Soul Brothers on the flip.

Re-launching the Mittoo classic, aimed one step beyond, with intrepid space synths and drum machine (and mangled chanting on the flip). Strong Upsetters flavours.