From 1975, two takes on Joao Donato which ‘strip away the originals’ sophisticated arrangements in favour of a more driving groove and a raw, funky edge that makes them absolute dancefloor weapons.’
A groundbreaking, 1978 blend of Arab, jazz, Baroque pop, folk, and Brazilian styles like Bossa Nova, Tropicalia and MPB, with Fairouz’ son Ziad Rahbani as musical arranger, setting Palestinian poetry by Samih Al Qasem, Tawfiq Ziad, and the great Mahmoud Darwish.
Beautiful, small-group boleros. Ibrahim’s last, attenuated sessions before his passing in 2005.