Belting space-techno steppers.

‘A whole new level of weird,’ according to Warp’s sales notes: ‘Lopatin describes Garden Of Delete as a ‘self- portrait’... Musically the album contains a plethora of ideas spliced together seamlessly: great rushes of death metal and distorted R&B pop vocals, for example, all woven together with typically OPN broken chord synths and sleek sound design.’

The first Paid Reach — in collaboration with Ominira; edited and produced by Kassem Mosse.

A second instalment of low-rent, austere techno-not-techno.

In which Actress douses the rejoicing Noah with gallons of water, slips him a stiffener, and pulls him by the marimbas straight onto the dancefloor. Cracking remix.

A fresh set of stripped, rubbery, bass-heavy grooves, to consolidate his Idle Hands debut; seaming FWD-night vibes, and Skull Disco, tribalism and grime.

Jubilant jazz-oetry cut-ups of Weldon Irvine and John Lee Hooker.