‘A whole new level of weird,’ according to Warp’s sales notes: ‘Lopatin describes Garden Of Delete as a ‘self- portrait’... Musically the album contains a plethora of ideas spliced together seamlessly: great rushes of death metal and distorted R&B pop vocals, for example, all woven together with typically OPN broken chord synths and sleek sound design.’

This expanded edition includes bonus tracks, previously unseen photos, a glow-in-the-dark flag insert, and new cover art created by André 3000.

The first Paid Reach — in collaboration with Ominira; edited and produced by Kassem Mosse.

A second instalment of low-rent, austere techno-not-techno.

Legendary Joe Clausell mixes.

In which Actress douses the rejoicing Noah with gallons of water, slips him a stiffener, and pulls him by the marimbas straight onto the dancefloor. Cracking remix.

A fresh set of stripped, rubbery, bass-heavy grooves, to consolidate his Idle Hands debut; seaming FWD-night vibes, and Skull Disco, tribalism and grime.

Jubilant jazz-oetry cut-ups of Weldon Irvine and John Lee Hooker.

Live, organic, cosmic house from the master for the fiftieth SS. Slow-burning electro-boogie — synths over a clicking, swaying, volatile beat — and a more uptempo jazz trip, with dusty, wacked-out breaks.