First in the M series, from 1992: furiously banging, with a stone-classic, textbook-Detroit UR remix. Don’t miss Eleye: deep, urgent, breathless and explosive; another killer.

Utterly timeless dance music (from twenty-five years ago). Peerless dubwise techno.
We could listen to the dub for days. We probably have, already.
An absolute must.

The recording debut of a collaboration between Jordan ‘Jordache’ Czamanski and Ilya Ziblat Shay. Three freestyling chunks of hallucinatory electronica and freaking jazz; plus a sublime remix by Parisian maestro I:Cube, with MT’s wild keyboard lines, distant bells and general insobriety threading a tactile, sunrise-friendly house groove. Tropical jazz-funk for the synthesizer generation. Call it Balearic and die.

‘A work of intimacy, love, struggle, grandeur and sonic adventure,’ recorded in Geneva during 2013-4.

I really felt the need to work on something like In Major in the moment I started it. It’s instantly joy!
And only back then, during the storm, I thought of working on an album…

Eighteen freeform electronic miniatures by Lorenz Lindner — aka Mix Mup — after his love of experimental ambient and soundtrack idioms.

None other than Mick Harris from Napalm Death, and his deadly Midlands iteration of Detroit techno. Transatlantic motor-funk from the mid-nineties, when Brummie club-night the House Of God was alive and kicking. Still stinging.