The first Paid Reach — in collaboration with Ominira; edited and produced by Kassem Mosse.

A second instalment of low-rent, austere techno-not-techno.

In which Actress douses the rejoicing Noah with gallons of water, slips him a stiffener, and pulls him by the marimbas straight onto the dancefloor. Cracking remix.

A fresh set of stripped, rubbery, bass-heavy grooves, to consolidate his Idle Hands debut; seaming FWD-night vibes, and Skull Disco, tribalism and grime.

Jubilant jazz-oetry cut-ups of Weldon Irvine and John Lee Hooker.

Live, organic, cosmic house from the master for the fiftieth SS. Slow-burning electro-boogie — synths over a clicking, swaying, volatile beat — and a more uptempo jazz trip, with dusty, wacked-out breaks.