Alluring duets by Swedish nickelharpa and accordion, inspired by Bach’s sonatas and Pergolesi. (You might recall Matinier from sessions with Anouar Brahem and Louis Sclavis.)

Bracing portions of the screaming abdabs dressed as naked, hooligan machine-funk — fizzing, stomping, juddering and going mental in the furnace of high noon like whizzed-up children of the hydra’s teeth.

Tough UK digi. Shaka-business from the Waan You veteran, who came through with Light Of Saba in the seventies, and sparred in Ijahman Levi’s breakthrough. Aka Kick The Hobbit because of a typo on the original label.

Boss bossa originally released in 1970 on the Mexican label Orfeon, with Laercio De Freitas having replaced founder-member Luiz Eca. Sunny, little-known versions of Veracruz, Zazueira, Pais Tropical and the rest.

Soulful, enraptured excursion on God I God I Say, with a lovely melodica dub.

A September 1989 performance at the World Financial Center Winter Garden in New York City, with Brian Eno mixing live.
‘During this period Hassell was inspired by the increasingly innovative production techniques being used in hip-hop, in particular the hyper-collaged sampledelic barrage of the Bomb Squad’s work with Public Enemy, hearing it as a kind of extension of the tape splicing that Teo Macero brought to his work with Miles Davis. He began to incorporate more of this aesthetic into his own music, playing over loops of his own performances and riffing on angular juxtapositions of noise, rhythm and melody.’
First time on vinyl.

Billie Jean UK-dubwise. A police-shoot-out scenario, with gunshots, sirens and a daft vocal interjection — Book im, Danno — plus burning horns. Original copies.