A fine trombone instrumental — fruity, old-school, wistful — backed with a lovely detournement of Rosemary Clooney’s massive country smash, Beautiful Brown Eyes. Lloyd Charmers business.

Ka-boom! The legendary digger re-ignites the Lagos Disco Inferno and kicks off his very own mouth-watering imprint with two sides of boogie-down bliss.

Organically funky, laced with avant-garde synth textures, and studded with breakbeats, the second Outernational is Jeff Resnick’s unique, ultra-rare, 1978 promotional recording for the School for American Craftsmen, at the Rochester Institute of Technology. Five tracks of soul jazz and modal fusion — re-modelling Trane, and opening with a variation of Norwegian Wood — by a local group including trumpeter Jeff Tyzik and pianist Sonny Kompanek; then Resnick mostly solo for the second side, when the money ran out, multi-tracking synthesizers on his home set-up, in an engrossing blend of reflective abstraction, grooving electro and spiritualised fourth-world tropicalism.
Bim!

Live at the Jazz Workshop in San Francisco, at the close of 1961. Jackie Mac is on fire. Tearing version of Una Mas a year before the Blue Note. Leroy Vinnegar, Walter Bishop, Art Taylor.
Scorcher!

This rare roots outing by the lovers specialist is a sweet, heartfelt tribute to the great JA revolutionary. A Lloyd Parks production, with a proper dub.

An excellent Echo Minott LP for Jammys in 1981. Sly and Robbie, Deadly Headley, Winston Wright and co. The opener is a killer next take of the awesome Open The Gate Bobby Boy rhythm.

Good advice, beautifully delivered by the pair who had appeared as pre-teens ten years earlier in the film Rockers. Later known as Bitter Roots.

Doomy, futuristic, Channel One rub-a-dub, with sick synths and vocoder courtesy of producer Earl Lindo at Tuff Gong. The Version says everything that needs to be said.
Killer. Strongly recommended.