‘Her unique pianistic voice in a varied programme of almost exclusively original music, composed by herself and her colleagues – tenor saxophonist Uli Kempendorff, Marc Muellbauer on double bass and drummer Heinrich Köbberling. A deep respect for the jazz tradition, especially the post-bop and modal jazz of the 60s, permeates this session, and with the quartet’s modern twist, the stage is set for highly expressive soloing and profound interplay.’

Previously unreleased music by the electroacoustic music pioneer, from 1973-1992.
Commercials, commissions and secrets.
Photophonie itself was made for a photographic exhibition by Alain Willaume. Il Etait Une Fois was commissioned by the GMEB; Trans-Voices by the American Center, Paris. Leica is by way of a jingle for the camera company.

Killer, epic, driving techno, mined and honed from classic Trax.
Silk-screened sleeves, very limited; it’s a must.

‘A whole new level of weird,’ according to Warp’s sales notes: ‘Lopatin describes Garden Of Delete as a ‘self- portrait’... Musically the album contains a plethora of ideas spliced together seamlessly: great rushes of death metal and distorted R&B pop vocals, for example, all woven together with typically OPN broken chord synths and sleek sound design.’

Sweet, sweet sufferers on Tommy McCook’s lovely Schenectady’s Shock rhythm, featuring Augustus Pablo on glockenspiel. (‘Shock probation’ is an alternative to prison in Schenectady County, New York.)

Amazing, psychedelic, engagé afro-disco from the same milieu as William Onyeabor, with Gaspar Lawal on percussion. Very warmly recommended.

Kikuyu ‘liquid soul’, Luo benga with its rat-tat-tat beat and layered guitars, Swahili afrobeat, Congolese rumba, plus influences from SA and Zambia, disco and funk, coastal rhythms like chakacha. Mostly from 45s.

Central Asian art music — derived from the Shash maqam of Bukhara — performed by the singer Jurabeg Nabiev, with the Ensemble Dorrdane.

A master of the sato (a bowed tambur or long-necked lute held vertically) joined by Tajik singer Ozoda Ashurova in this beautiful, haunting, little-known court music. Plus doyra drum and dotar lute.

Infectious songs and rootical instrumentals — the fifth SF album presenting Laurent ‘Kink Gong’ Jeanneau’s amazing documentation of the vanishing indigenous music of the rural Asian frontiers.