Telling ninety one-minute stories (sped up or slowed down according to length), whilst pianist David Tudor plays bits from a couple of Cage’s compositions, in a different studio. A 1959 Folkways.

Wicked early-eighties Wackies, unsteady and moody, with a Hudson connection.

An upful, radiant, chugging version of the McFadden & Whitehead, by way of Harry J, strung out on flute and Syndrums.

The blind Armenian is one of the very greatest masters of the 12-stringed, fretless lute. Previously unissued, these recordings were made during his tour to the United States in 1950.

Knockout stuff. Superb restorations of original 78s — many original compositions, rare recordings of his violin-playing, ud solos; also his most famous improvisations, recorded when he was only nineteen.

Profiling producer Theppabutr Satirodchompu — the first in a series of albums celebrating the key-players of modern molam music, from Northeast Thailand. Limited vinyl from Light In The Attic.

Laid-back rocksteady soul from Noel, out of the Chosen Few — coupled with a fun Ike Bennett organ workout.

Highly entertaining, varied session for New Jazz in 1963 — the same year as Cracklin’ — with Frank Strozier (playing saxophone and flute), Larry Ridley and Ronnie Matthews. The tricky, careering opener Modette is terrific.

Casio and percussion nut-outs from Dar Es Salaam, Tanzania. Songs about the concrete jungle, infidelity and voodoo, Mchiriku-style.