The tussling vegetables in Mal Dean’s cover-sketch somehow befit perfectly this extraordinary duo of Bailey and the great Dutch drummer Han Bennink. Recorded in London in 1972, Incus 9 was their second record (after an ICP in 1969), becoming a blueprint and inspiration for generations of free-improvisers. It is paired here with a brilliant session from the following year, with the same power and friendly combativeness, and oodles of creativity, technique and humour. It’s obvious how much they loved playing together.

The bullion-clad masterpiece of these pioneers of Nigerian Funk and Afrobeat at their deepest and heaviest — tearing, wailing, mid-70s funk, heady with spirituality. Superbad from start to finish, no let-up.

The very first Basic Channel.
A quarter of an hour of Enforcement, plus a Jeff Mills remix, and an ameliorative dub.
Still thrillingly no-prisoners and 100% unmissable.

Joyous, uniquely Arkestral renditions of songs from Disney films like Peter Pan, Sleeping Beauty, Snow White & the Seven Dwarfs, Dumbo, and Mary Poppins.
Ra loved this repertoire, faithfully re-visiting it over the decades. He once had his band billed as Sun Ra & His Disney Odyssey Adventure Arkestra.

All previously unissued; drawn from concert performances, 1985-1990.

Terrific new folk music from Dublin. Try the opener, the travellers’ song What Will We Do When We Have No Money? And the centre-piece, the furiously inward-turned immigrant song, Déanta in Éireann. The Granite Gaze… killer.
Hotly recommended.

Warmly welcome, expertly recorded, new saze music from southern Albania, upholding its traditional, stunning mix of drones, in-your-face a cappella, and rootsy, virtuosic instrumentalism — in this case, violin, clarinet, lute and percussion. Produced by Joe Boyd.
Try searching out Albanian Village Music (78s from 1930 reissued by Heritage). Other-worldly and heart-stopping; totally knockout.

Sombre Shaka weapon, with Junjo and the Roots Radics, from the same early-eighties sessions as Police In Helicopter.

‘America’s greatest singer’; ‘the greatest gospel singer of her generation’; ‘the greatest singer ever’ (Pulse, Time, Rolling Stone). Check the title track for her influence on Little Richard, The Isley Brothers, James Brown and co. Stuffed with gems.

‘Lo-fi, primitive orchestral pieces for a Swedish TV-documentary series that in the end never was finished. Someone said, If the Penguin Café Orchestra would’ve used old rhythm-boxes and recorded rough demos influenced by Moondog, then this would’ve been it. That’s not true, but it’s still a hell of an album. Unique and warm. And in totally gorgeous sleeves… Old album covers have been remade and glued and etched on with the old artworks shining through here and there.’