‘The Greatest Hits And More, 1960-1978’ — with early obscurities, live stuff, ads and demos. The hits themselves are sublime New Orleans genius.

‘After Gris-Gris, Dr. John found himself in a strange and awkward position. The US was deep into the Vietnam War, and the assassinations of Martin Luther King Jr. and Bobby Kennedy were fresh in the public memory. On top of that, Dr. John was being pursued by various Los Angeles authorities for a handful of criminal offenses. It was, in his own words: “a heavy time for me.”
‘Much like Sly Stone’s There’s A Riot Goin’ On, Dr. John’s sophomore album Babylon would be a reflection of the chaotic and tumultuous time that he was living in. He and the band dove deeper into the voodoo-inflected psychedelic rock and R&B of Gris-Gris, while touching upon elements of free jazz and Captain Beefheart-style avant garde. As with his debut record, production was handled by the legendary Harold Battiste, and much of the same session personnel returned for Babylon, including Plas Johnson on saxophone, Alvin Robinson on guitar, and backing vocals from Jessie Hill, Shirley Goodman, and Tami Lynn.
‘Babylon stands out as one of Dr. John’s most overtly political albums, and is a singularly murky and darkly entrancing record in his discography. A psychedelic swamp of apocalyptic songs and drunk, disorienting experimentation, not repressed on vinyl in over forty years.’

Funk pioneers. Check it out if you like Young Holt, Wade In The Water, James Brown. (Check yourself out if you don’t.)

Their 1971 LP debut.
Bad Tune is… a bad tune. An all-time scorcher, push comes to shove.

A dozen deadly deep funk burners.

Reviewing Ellis Taylor’s Kansas City imprint — from prime Marva Whitney all the way through to Sharon Revoal’s ace, slinky, early-eighties disco-funk.