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King Tubby & Riley All Stars
Concrete Jungle Dub
Dub Store
Tough dubs of a clued-up selection of Techniques rhythms, from 1976, including Stalag, Cheer Up Black Man, and Johnny Osbourne’s interpretation of The Delfonics’ Ready Or Not. Ace.
The second of two LP volumes drawing on three stone-classic Blood & Fire compilations: Dub Gone Crazy, Dub Gone 2 Crazy, and Dub Like Dirt. A truly monumental selection of mind-bending mixes by King Tubby, Prince Jammy, Pat Kelly, Phillip Smart, and Scientist. The flip-sides of killer 45s by Johnny Clarke, Cornell Campbell, Delroy Wilson, Horace Andy, Leroy Smart — banger after banger, including nuff anthems — and specials from deep inside Bunny Lee’s archives. Indispensable.
Super-heavyweight Aggrovators roots. Barry Brown at his very best; deadly, sombre horns; lethal Tubbys dub. Scorcher.
Inspired singing, feel-the-vibes deejaying, and awesome Scientist/Tubbys mixes via Channel One in 1980.
Jeesus Chroyss, we noice.
Typically fine singing, over crisp, bare Tubbys digi, with strong backing vocals on both sides.
Hey Mr. Cop is a draft of the song he recorded for Bunny Lee, over Rumours; the flip does over his Jammys smash.
Dubplate action.
Ace early Tubbys digi — stripped and moody — with fine, amusing vocals.
Hymning the power of reggae, over a re-licked, surging Conquering Lion, with worrisome Tubbys bass. The dub is here.
Monumental Tubbys digi terror. Tougher than Lee Van Cleef. Heavier than lead and cold as ice.
Heavyweight killer Late Night Blues excursion, with King Tubby.
Tough, dismissive, soundboy digi. A King Tubby dubplate from 1986.
The great singer addressing false authority, apartheid and the squandering of black lives. The rhythm is Tubby’s ace, ominous, digi re-working of Yabby You’s Conquering Lion.
Dubplate business from Dub Store in Tokyo.
Prince Philip Presents
Dubplates And Raw Rhythm From King Tubby's Studio 1973-1976
Prince Philip / Digikiller
A stupendous haul of sound-system specials and inspired experiments conjured from some of the greatest reggae rhythms of all time, from the inner sanctum of King Tubby’s studio in the mid-seventies (where Philip Smart was second engineer).
Seething with lethal touches of Tubby; dotted with head-spinning walk-ons for Hugh Mundell, Johnny Clarke, Jacob Miller and co; steeped in the genius of young Augustus Pablo, Smart’s childhood friend.
A staggering turn-up. Utterly crucial.
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