Tough dubs of a clued-up selection of Techniques rhythms, from 1976, including Stalag, Cheer Up Black Man, and Johnny Osbourne’s interpretation of The Delfonics’ Ready Or Not. Ace.

All-time-classic Stalag excursion.

Previously unreleased long version of the song from Rockers — which shows Kiddus I in the studio with Jack Ruby, himself taking a break from the Marcus Garvey sessions with Spear —  recorded a few years afterwards.

A deadly rocksteady version of the ska tune they’d already cut for Duke Reid.

The fledgling Wailing Souls, rocking steady but broken-hearted in 1966; backed with the perfect ska antidote, a previously-unreleased Hopeton Lewis pick-me-up.

The finest of his dancehall interventions with the Roots Radics, as the eighties progressed. This is taut and simple, tough and atmospheric, triumphant.

Sweet, uptempo rock steady from Henry Buckley, in 1968, with backing from The Gaylettes. A more rootsy, Biblical edge to the B-side, which was originally coupled with Roland Alphonso’s How Soon.

Ace version of The Stylistics’ smash.

The greatest rocksteady instrumental of them all.
Haughtily cool and deadly; a stepping razor of a tune. (Just ask the ODB.)
Back in after a long absence. Hail the rebel sound.

Heavyweight, apocalyptic Bunny, with a burial b-line, burning horns, masterful dub. By a mile the best thing on Blackheart Man.

Fire! The Federal musical director walks it like he talks it. Blazing horns and jazzy brilliance all round.