Dubplate, deejay piece to Fulk Reid’s Golden Daffodils (itself put back till the next batch of Digikillers, because of manufacturing problems). Mojo Blue aka Jah Mojo, from Santic.

Solid early-eighties Channel One, tooled to rock a dance, and till now played exclusively on dubplate by Jahlovemuzik.

Tasha and Channel One productions, newly corralled, with three stone exclusives. The highlights are an FJ duet with Michael Palmer retrieved from dubplate duties, and from the Riders a next version of Youthman Invasion and a trigger-happy Illegal Gun. Wonderful photos by Beth Lesser and Syphilia Morgenstierne.

Moody, heavy lovers, detourned by FW’s full-throated falsetto. Ace.

Sweet, hymnal, one-away two-parter from Elijah, out in the seventies on the New York label Waricka and in the UK on Ackee. KC White has a version, too; also available from Digikiller.

Nice gospelized harmonies… with a touch of The Lecture to the flip-side sufferers.

Ducking and diving between London and Kingston JA, Winston Edwards cut the Melodian on the monumental Conquering Lion rhythm in the mid-70s, covering Eddie Floyd. Dark, hurting and self-disgusted… bad tune.

The grizzly-monster original 1984 cut (not the Power House do-over), plus shoot-out dub; with a Steve Knight excursion on the flip.

Limber bubblers, with some nice, moody vibes-playing, and chewy reasoning from Carlton Lafters, in a Tenor Saw style and fashion.

Roy Reid (a JA customs official) on the politics of national currencies, with a dub getaway to Ruritania — from The General double.

First time out for both sides, including dubs.

Ace, quirky one-away — effervescent singing on a bubbling rhythm, with ticking drums and deft keyboard interjections.

Rasta Cowboy excursion.

Late-eighties Callo Collins production of the Youth Promotion cohort.

Great early-eighties Channel 1 excursion on the same version of DEB’s Revolution rhythm as Barrington Levy’s Black Rose.

Pious sex-pol, on a tuff Billie Jean lick. ‘When you come home, a next man asleep in your pyjamas… and then you charge fi murder, Jah Jah know. The man them a worries but the woman them a problem.’