A brazenly irresistible blend of unlikely secret weapons and stone cold classic killers, Soul Jazz style and fashion.
Deliriously creative wordplay overflowing some of the mightiest reggae rhythms of all time.
Surely a must.

A jackpot of no less than forty-four late-seventies toasts, produced by Errol T and Joe Gibbs.
Brilliantly exuberant wordplay over classic Mighty Two rhythms.
Droopy drawers, 44; stuffed with winners.

Classic LP with the Roots Radics, mixed by Scientist at Tubbys.

The monumental Treasure Isles.
Your ace from space, with version from creation.

What a record. The studio debut of the mighty Daddy U-Roy in 1969, sparring with Val Bennett over Old Fashioned Way, both of them wigging out like a couple of beboppers, with the ghost of John Holt on the backing tape. “The studio is kinda cloudy,” reports U-Roy — and everyone sounds lit but utterly inspired. Pure vibes.
“My first tune I ever do was Dynamic Fashion Way with Keith Hudson, and then I do Earth’s Rightful Ruler for Scratch. Those tunes didn’t get very far, them sell a couple hundred.”
Cornerstone stuff. Show some respect and chuck your bootleg.

Wildly creative and exuberant, and seismically innovative, here are all Daddy U-Roy’s Treasure Isles — the two LP collections Version Galore and eponymous U-Roy from back in the day, plus seventeen well-chosen bonus tracks, including the spare sevens, alternate takes, studio chat, and a bunch of deadly instrumentals. Deliriously great music; absolutely indispensable.

Love Punaany Bad — a tale of hard times in New York City, with a nice steelpan sample; and a badman Admiral Bailey.

From 1983, the same year as Jamming In The Street, his unmissable collaboration with Sugar Minott. Kicks off with a Queen Of The Minstrel excursion. Drifter is here, Late Night Blues, No More Will I Roam, Yo Yo, Real Rock. Sly & Robbie with the Aggrovators; Bunny Lee at the controls. Full-strength, body-rocking, early-eighties deejaying. It’s obvious why sounds like Black Scorpio and Kilimanjaro favoured him.