Sweet rocksteady lovers, rather impassively worried about being apart for a while; plus the Supersonics’ slinky, tiptoe classic Our Man Flint (nodding to James Coburn’s piss-take of 007, just then arriving in Kingston cinemas).

The drummer of the Gladiators Band and the Upsetters, recording with his own Solid Foundation Band at the Black Ark in the down-time of a Junior Byles’ session. A rework of The Animals’ version of an English folk song, with a leg-up from Byles’ own A Place Called Africa. Originally released on Sight’N'Sound, by Studio One.
Lovely, mystical roots, with an ace dub, touched with unmistakable Perry genius.

Tearaway sufferers anthem, roaring out of the blocks in 1989. Piercing, unforgettable song-writing by the Tetrack spar — jam-packed with anecdote, observation and warning — over a sick, breakneck, apocalyptic rhythm, with an ace dub. A digi classic.

Adrian Sherwood marshals Bruce Smith, Keith Levene, Ari Up, and Crucial Tony; and George Oban, Eskimo Fox, and Style Scott, from African Head Charge.

Creole’s personal rough mixes of sides recorded at the same late ‘70s session as the Channel One killer Beware.
Fishers Of Man is an extended mix, and Walls Of Jericho is teamed with a version retrieved from dubplate, adding synth.

Ace early Tubbys digi — stripped and moody — with fine, amusing vocals.

Great album this; recommended with infernal heat. Beautiful close-harmony singing, killer tunes, tough rhythms, engaging songs. Junjo at Maxfield Avenue, with the Roots Radics. Heavy and luminous from start to finish.

Late-eighties Jammys digital roots — with Steelie & Clevie at the controls — following up the classic Hell A Go Pop set. The hits were Running Back To Me and Distant Lover.

Ace, lonesome digi from 1988, indebted to Tenor Saw, with Johnny Osbourne’s Can’t Buy Love submerged in its DNA. Crisp, driving dub.
Surely ‘Culture P’ would have been a better idea.