1966 rocksteady, elegantly heartfelt as Nat King Cole.

Rock Fort Rock and China Town excursions.

Out originally mid-70s on the Aires label, in a plain, stencilled sleeve, this is based around three cuts of the dreader than dread Free For All rhythm.
The music is Melvin ‘Munchie’ Jackson and Lloyd Barnes productions begun in Jamaica and finished at the Sounds Unlimited studio in New York. Several surfaced at different stages as sevens on Bullwackies’ Aires imprint, and in JA on the Tafari label which Munchie ran with his brother Maurice and Little Roy, in the Washington Gardens district of Kingston.
The title track was recorded at Randy’s, and came originally on The Heptones’ Hepic label, featuring Family Man Barrrett on keyboards, and - on the deejay cut here, Meditation Dub - sounds like Charlie Ace. There are dubs of Little Roy’s Tribal War and Black Bird; Stranger Cole’s My Application, later re-voiced by The Heptones, turns up as Dis Ya Dub; and if things weren’t smoke-filled enough, Roots is the rhythm of K.C. White’s All For Free.

Out originally in 1979, on the Wackies’ imprint Hardwax. (The original cover celebrated the first year of Honest Jon’s new reggae shop Maroons Tunes, Bullwackies’ UK distributor.)
Leroy Sibbles and Joe Auxumite, Drifter and Skylarking… Sibbles guides a tough selection, as well as sharing bass duties. There are versions of his classic composition Guiding Star and stylish Wackies heavyweight, This World; and Tribute To Studio One reworks Heptones Gonna Fight / Hail Don D. as modern steppers, with the kit-drums — as throughout this album — supplemented effectively by the in ting from Japan. Drifter and Skylarking put in appearances; and two full Joe Auxumite vocals from the solo album scheduled for release around this time, but abandoned when most of the tapes were lost. A dub version of Delroy Wilson’s Rain From The Skies rounds out proceedings.

With Lee Perry in 1975.
Kinky Fly is here… plus eight killer bonus tracks.
Mastered from the original tapes.

A sultry version of the Gershwin / Heyward aria, more body-rocking than spiritual, led by an identified singer. and swinging horns; and a rollicking Take The A Train, with solos by Roland Alphonso, Lester Sterling and Don Drummond.
Class.

The Buster selection we’d been waiting for.
A terrific haul of rare and unreleased sides; rocksteady gold, from start to finish.
Macka Osaka connoisseurship.

A storming selection, warmly endorsed by Honest Jons old boy Steve Barrow: ‘Many unreleased and alternate versions of prime-quality ska, produced by a founding father of the genre, featuring great Jamaican musicians like Baba Brooks, Roland Alphonso and Raymond Harper, and various permutations of the premiere group of musicians collectively known as the Skatalites. It includes in-demand collector’s items like the Spanish Town Skabeats’ Stop That Train. All tracks are taken directly from tape. This release is truly a feast for lovers of ska, and Jamaican R&B in general.’

It was Prince Buster who convinced a reluctant Melodisc lawyer to give the go ahead to our London Is The Place For Me series, nearly twenty years ago.

Characteristically bootin’, irresistible version of Huey Smith’s millions-selling New Orleans R&B smash. (What a monster 45 that was, double-headed with Don’t You Just Know It. Huey and his Clowns, fronted by drag queen Bobby Marchan.)
With a spirited Derrick & Patsy duet on the flip, enlivened by handclap percussion.

Pure fire.

With Japanese ska band The Determinations.