Discos Fuentes fire, rare as hens’ teeth, from 1975.
La Torta is first out of the oven, with a Colombian take on Haitian compas which was soundsystem murder, back in the day. The wild Fiebre De Lepra was the 45 — funky wah-wah guitar, makossa-style bass, manic organ, and feverishly insane vocals by Wilson ‘Saoko’ Manyoma and Joe Arroyo — backed with the heavy, strutting El Caterete, based on the 1970 Brazilian recording by Marku Ribas. The off-kilter funk and stomping breaks of Tifit Hayed have created a tropical dance floor favourite in recent years, boasting a massive Latin bass line, tasty Farfisa organ stabs, a bluesy, jazzy piano solo, propulsive cowbell, and daft animal noises.

The multi-faceted genius of Eugene ‘Yonachak’ Cline, producer, multi-instrumentalist and singer from St Lucia, beautifully presented by Hornin’, with top-notch, live-and-kicking sound, in a gorgeous sleeve.
It’s a gripping, crazy mix. Deep, mid-seventies roots, Half Moon style, extended, with an instrumental, and ace dubs; nuts but banging late-eighties digi; off-the-wall rasta-soca fire.
Great stuff.

This is terrific.
Scintillating, masterful, roaring, classic Cubanismo, beautifully recorded in 2017 at the storied Areito Studio in Havana.
Descargas, jazz, boogaloo, son… and some ritual music to bring the curtain down. You’ll find yourself hungry for more.
The musicianship is dazzling in every corner of the orchestra; set on fire by the timbales of Changuito (from Los Van Van), and booted along by a hard-swinging, full brass section led by trumpeter Julito Padron, graduate of the legendary septet Nacional de Igacio Pinero, and later Irakere. The sound is steeped in tradition but by no means stuck in the past.
The vinyl is beautifully presented in a heavyweight, high-gloss gatefold.
Joyous, superb music; the real deal. Hotly recommended.