Your basket is empty
Frightened… Rebellious Jukebox… Industrial Estate (Yeah Yeah)... Futures And Pasts…
New Face In Hell… Pay Your Rates… Container Drivers… English Scheme… Gramme Friday…
Zarko Komar aka Feloneezy winging in from Belgrade — by way of Hyperdub — with an EP of hypnotic psychedelia.
Four characteristically intimate, steppers blends of jungle and juke, unfurling into intervals of dub and jazz; axis as nexus, threaded with field recordings, startlingly dotted with song.
Check it out.
Previously unreleased music by the electroacoustic music pioneer, from 1973-1992.
Commercials, commissions and secrets.
Photophonie itself was made for a photographic exhibition by Alain Willaume. Il Etait Une Fois was commissioned by the GMEB; Trans-Voices by the American Center, Paris. Leica is by way of a jingle for the camera company.
Music by Michaels Cole and Jessett for the beloved seventies finger-puppet show, with Fingermouse, Gulliver the seagull, Scampi, and Flash the tortoise.
From 1973, the first of her recordings as a duo with Areski. ‘Deeply rooted in North African and European folk traditions… evocative vignettes with breezy vocals and minimal accompaniment of classical guitar, strings and woodwinds… One of their best-loved albums, for its remarkable sense of intimacy… beckoning listeners into a strange and beautiful world.’
Lost Treasures From The Vaults, 1959-69, Volume Three.
Four lost works by the electro-acoustic pioneer and GRM stalwart: Electrucs!, a synthesizer soundtrack to an imaginary film, from 1974; Foliphonie, a kind of postscript to his own La Grande Polyphonie, the same year; Cinq Dessins En Rosace, from 1973; and Marpège, dedicated to Bernard Parmegiani, from 1995.
A rare sighting of Eye from The Boredoms, kicking up a rumpus with Japanese noise-rock duo Gagakirise.
Exotica, a bossa, and real-deal British bebop from 1964: four unissued cues featuring The Hastings Girl Choir, and four cuts with Coleridge Goode and Bobby Orr.