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Sound Dimension
Sing A Simple Song
Studio One
Ruggedly funky, tantalisingly rare do-over of Sly & The Family Stone, by Jackie Mittoo and the crew.
‘Classic vinyl series.’
Don’t miss this late set, from 1966, inspired by an orchestra tour of India, Sri Lanka and the Middle East. With the out-and-out Strayhorn-Ellington masterpiece Isfahan.
Secret-weapon late-70s mix; more light-footed, upful and optimistic.
Riveting 1965 review of his own staggering classics like Death Letter and John The Revelator, rinsed by everyone from Captain Beefheart to Jack White.
Pure fire.
Leroy Brown’s killer detournement of Bobby Bland’s classic Ain’t No Love In The Heart Of The City, plus Clint Eastwood’s storming deejay excursion.
It’s a shame there’s no room for the stunning dub on the original Stagesound release of the Clint, but you can’t have everything.
It’s a must.
Dazzlingly brilliant, pioneering dub from 1975, laden with genius, fresh air, good humour, and strangeness.
Woman’s Dub is astounding, still — a dub of Jimmy Riley doing Bobby Womack’s Woman’s Gotta Have It. ‘She’s gotta know she’s not walking on shaky ground,’ run the lyrics — amidst an awesome musical evocation of the far end of the Richter scale.
Hotly recommended here at HJ for decades.
Her 1968 masterwork, arranged by Jean-Claude Vannier, originally released on Saravah. Approved by Brigitte, this expanded edition features the original album, newly remastered from the original tapes, along with a second album of demos, instrumentals, and a live rendition of Il Pleut recorded for France Inter/ORTF. With a twenty-page bilingual booklet, including an introduction by Laetitia Sadier, plus full lyrics and rare archival photos.
The US singer dropping a little sass at Treasure Isle in 1968. Same session as Angel Of The Morning, but previously unreleased.
Also Tommy McCook & The Supersonics doing over Ode To Billy Joe in fine style.
Vintage Tikiman. Instrumentalist, singer and producer; laying back in both analogue and digital settings.
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