Ignatz is the alter-ego of Belgian musician Bram Devens, who has released a string of albums for labels like (K-RAA-K)³, Ultra Eczema, Fonal, Mort aux Vaches, and Okraïna, over the last twenty years.
Devens recorded this wonderful, haunted music at home in Landen, on the family piano.
There is pervasive, ambient Dub, mesmerically shifting; sometimes aghast. Somewhere in the swirling mist are the guitarist Hans Reichel, and blues pianists like Jimmy Yancey, amongst other ghosts. Time Well Spent even musters a kind of motorik energy, determinedly mis-firing.
It is quite unlike any other piano record.
Beautifully presented, too, to the customary high standards of this label.
Check it out!

Eight poetic songs attuned to the early 1970s chanson of Brigitte Fontaine, performed by Mauricio Amarante and Marine Debilly Cerisier.

Luxuriant, mesmerizing Black Ark classics.

Improvisatory solo piano from 1965 — a trans-Mediterranean crossover based on traditional Algerian song, with roots in Spanish Islamic culture.
Spare, pellucid, and meditative; testing out variations with madcap ivories tickler Johnny Bach at his shoulder.
Hotly recommended.

Outstanding techno dub; minimal and deadly focussed.
Chain Reaction runnings from Chicago.

From 1975, two takes on Joao Donato which ‘strip away the originals’ sophisticated arrangements in favour of a more driving groove and a raw, funky edge that makes them absolute dancefloor weapons.’

Glorious artwork by the one-and-only Limonious, originally drawn for a compilation of sides on Edgar Whyte’s excellent Parish label.
Gildan Hammer tees.
Last chance saloon.