DKR NYC on the heart; ORTHODOX BURY THE DEVIL on the back.
Gildan shirts.

A contender for the heaviest dub of all time.
When the Rootical Dubber had a go at reissuing Trevor Byfield and co, many years ago, he omitted this, saying it was just too awesome to mess with.

Heavy roots; thumping dub. Turns out that Moses was being discreet.

Ten killer dubs of Barrington Levy, mixed at Tubby’s, mostly unreleased. (The album was shelved in late 1980.)

Top-notch roots; and another great Vassell-Williams dub.

Terrific, deep roots, protesting the imprisonment of Desmond Trotter for the 1974 murder of a US tourist in Domenica. (Trots was fingered by a young lady from Antigua called Pretty Pig, the court was told.)
Originally released on the Jumbo Caribbean Disco label run by Brooklyn’s African Record Center shop. Discomixes, both sides.
Don’t miss it.

An intrepid, winning survey of Wackies’ precious first forays in Digi. Old boys Horace Andy and Milton Henry deal the aces. Step forward, Chris Wayne.
With three previously-unreleased sides.
Silk-screened sleeve.

Prime, early-eighties Barrington, expertly fronting chunky Radics on rhythms like The Russians Are Coming and Get In The Groove, in Scientist mixes. No losing with those cards.

Icho Candy & his brother Prince Junior go combination-style on this previously unreleased anti-apartheid missile, using the same sick rhythm as King Kong’s unmissable Agony And Pain.

Lovers Rock utilising Delroy Francis’ tough do-over of the Java rhythm, no less; with Althea & Donna coursing through.

The great singer loud and clear over a moody live-digital rhythm, laid down at Aquarius in the mid-eighties.

Earl Sixteen over two moody Channel One rhythms, around 1984; both with serious dubs, all previously unreleased.

Both these sides are previously unreleased blends of the old and the new, in extended mixes.
Can’t Fool I re-unites the born-a-fighter roots warrior with Tasha producer George Nicholson, his chum from school — at last voicing a rhythm from the label’s first-ever recording session, at Channel One in 1978, with the Revolutionaries.
Easy Skanking is Alla on a brand new rhythm by Danny Bassie and Barnabas.

Two previously unreleased sides by this compelling singer: Get Up Natty was cut at Channel One in the mid-eighties, with backing by the Gifted Roots Band, featuring some sick synths and effects; No Peace is new, with Icho still in fine voice, debuting a rhythm by Danny Bassie from the Firehouse Crew, and Channel One legend Barnabas.

Super-tough, odd, scrubby sufferers with some terrific, knackered piano and quaintly acquiescent lyrics. Giddily cavernous dub. Killer Wackies.