Chinafrica was Wayne Chin’s next project, after his group Creole disbanded in the early-eighties.
Two shark-attack do-overs of foundational tunes, startlingly different: a deadly, sick, atmospheric Declaration Of Rights, with shades of Wackies; and a sprightly, in-your-face, digi Baba Boom Time, originally stepping out on Thunderbolt in 1987.

Fifteen sides produced by Carl ‘Stereo’ Fletcher for his Uprising and Stereo Beat labels. Quality, mellow, seventies roots, in vocals, toasts and instrumentals. Five previously unreleased recordings in amongst hard-to-finds, and classics like Little Roy’s Christopher Columbus.

Originally out on Joe Morgan’s Fish Tea in the mid-eighties, reprising his classic Basement Session for the digital era. Extended mixes, with mean electro bass on the dub.

The drummer of the Gladiators Band and the Upsetters, recording with his own Solid Foundation Band at the Black Ark in the down-time of a Junior Byles’ session. A rework of The Animals’ version of an English folk song, with a leg-up from Byles’ own A Place Called Africa. Originally released on Sight’N'Sound, by Studio One.
Lovely, mystical roots, with an ace dub, touched with unmistakable Perry genius.

A Bullwackies masterpiece — spooked, reeling roots, saturated in hurt, confusion and resistance, with a knockout Baba Leslie-led dub.

Heartically hymning male companionship over the same tough digi rhythm as Nathan Skyers’ Tribute To The Heroes… plus the dub. Previously unreleased.

Trodding on, over this excellent, propulsive, clattering rhythm by Nathan Skyers and Richard Brown. Previously unreleased.

Bringing together two sevens originally released in Jamaica on the Afro Black label, in the mid-seventies. Rootical domestics, soulfully delivered, over tight, funky playing. You Let Me Down is Wackies’ sublime Black Harmony rhythm, no less.
Collectors’ heaven, utilising Joe ‘Basement Session’ Morgan’s own imprint Fish Tea, going since the 1980s.

Three excellent, diverse vocal excursions on a heavy, mid-eighties, Channel One-style rhythm by The Gladiators Band. The dub follows Frankie.

Excellent uptempo digi, with burning horns and a decent dub. No sitar and tablas, unfortunately.

On Little Roy’s Christopher Columbus.

Dubplate, deejay piece to Fulk Reid’s Golden Daffodils (itself put back till the next batch of Digikillers, because of manufacturing problems). Mojo Blue aka Jah Mojo, from Santic.