‘Paul Ngozi’s debut album of rawly intense proto-punk and garage Zamrock, featuring Chrissy Zebby Tembo. From 1976, the same year as Lazy Bones!! by Witch, and Rikki Ililonga’s Zambia, ushering in the golden era of Zamrock and trailering a dozen Paul Ngozi and Ngozi Family releases, bestride funk and punk, driving hard rock and Zambian folk melodies and rhythms.’

Unique improvised pop from 1974, by Jean-Jacques Birgé — one of the first French synthesizer players (ARP 2600) — and guitar virtuoso Francis Gorgé.
‘Have you ever imagined what a meeting between the Silver Apples and Sonny Sharrock would sound like?’

‘Sound collages, bitter laughs, and deranged miniatures based on poetry and percussion recorded in a punk burst, along with field recordings and other oddities.
‘200 copies, screen-printed sleeves, risograph insert.’

His second ESP, one year after the Trio date, offering ‘passionate explorations of four of his originals, plus Jones’ The Lady. Rather intense at times, these emotional performances still sound groundbreaking three decades later. One of Frank Wright’s finest recordings’ (AllMusic).
Intriguing quartet, with Jacques Coursil and FW’s Cleveland homie Arthur Jones — two BYG mainstays in the making — and bassist Steve Tintweiss and Muhammad Ali both on fire.