Last of PU’s cheeky threesome of early-seventies soundtracks for the noirish erotica of Luigi Scattini, with lots of electric piano, wah wah and vocalese, drama, melancholia and sleaze, shot through with spaced-out jazz, true Umiliani style.
Perhaps his best-known soundtrack, for Luigi Scattini in 1968.
Featuring Norma Winstone.
Club versions.