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Partner of the Expressions East set. Heavy vinyl, too.
Arranged and produced by Leroy Hutson, who co-wrote all the songs, and part engineered at Curtom. The Voices’ best album, brimming with good vibes, bubbling grooves, great singing, political resistance.
Terrific — lit-up, reaching and odd — Josephine playing harp, guitar and piano (and singing), with Alex Nielson on drums and Victor Herrero, lead guitar.
The business — pure, heavy, deep Afro Cuban funk grooves. 1970s bass-driven percussion delirium. Lazaro Pla aka Manteca alongside Nelson ‘El Flaco’ Pardon on timbales and Carlos Potato Valdes on congas.
‘Early contender for 2009’s album of the year. Yes, already’ (Mojo). ‘The sheer soul in her voice is revolutionary’ (NME).**** The Independent, The Times. ‘**** a masterclass in gritty southern soul’ (Daily Mail).
‘Classic Vinyl’ series.
With Wayne Shorter, Sam Rivers, Herbie Hancock and Gary Peacock.
Classic Vinyl series.
Scorcher. Crucial Jackie Mac, with Pete La Roca also on top form.
‘Classic Vinyl Series.’
Wildly entertaining sixties outsider Americana from this one-man band out of south Georgia. With songs like I’m So Depressed, Cocaine, Vietnam and The Reason Young People Use Drugs.
With the inspirational Elevate Our Minds. 
A Richard Evans production from 1979, between Chicago and LA, crowning Linda’s years masterminding Natalie Cole’s success.
Trying out new ideas (including Stravinsky) after leaving Impulse! in 1975, by turns deploying Wurlitzer, Rhodes and harp, and Charlie Haden and Ben Riley, percussionists, and an orchestra.
With the funky, bad-ass Smoking Cheeba-Cheeba. A bit of a skeleton in the closet, surely — the debauched transition from Wes Montgomery-styled 60s soul jazz, to the urbane sophistication of his super-stardom.
Their last record, from 1975 — ‘a psychedelic afrojazz stunner… celebratory, carnivalesque and wholly in the groove. Features the burning classic Black Man And Woman Of The Nile.’