Prince Buster rumpus.

Searing, unmissable cover of canuck rockers The Guess Who, by way of Junior Walker.
B-Boy’s gonna choke on his herbal vape when he cops that break.
‘These eyes… crying every night… for you.’

‘Man must vank these money men / Who pay I and I to fight I bredrens / Just because I’m in hunger / Them hold I with them dunza / Penetrate man with them dunza… Oh, there shall be lightning and thunder / For the heathens who take advantage of sufferer / To gain their vanity of power / They shall reach their final hour / They will be cut off forever, yeah.’

Solid early-eighties Channel One, tooled to rock a dance, and till now played exclusively on dubplate by Jahlovemuzik.

Previously a super-scarce JA blank. Hail the almighty Don D’s scorching solo — flashing a split-second premonition of Rico on Message To You, Rudy.

The alluring, mystery female vocalist here is cool and deadly amidst the mayhem, beside a tasty harmonica lead. Nice bebop saxophone, too, on the flip.

The godfather, with a Tommy McCook. Two classy body-rockers.

Ace, rampaging digi.

Triumphantly reviving all-time-classic Jammy’s. Proper dub, too.

First time out for this recent do-over of Yabby You’s mighty King Pharaoh’s Plague — with dub.

The classic digital destroyer, recorded at Aquarius in 1987.
Cyaan be no loefah.

Nice, mid-tempo tune, Eek A Mouse style and fashion.

Rough! Same rhythm as Frankie Paul’s Leave It To Me. Moody, inimitable, brilliant Jammys, with inspirational singing by the great CC.

Wholesome digi-roots bumper from 1990; rinsed by Shaka in the day.

Tough Beres Simpson revive. With the Roots Radics, maybe.

Tuff Scout rises to the occasion with a majestic rhythm, echoing and musically boned, sat well back in the saddle like Brother Roy’s Different Experience; whilst the great man does an entertaining variation of Memphis Tennessee. Ace dub.
Long Distance Information? May I speak to the High Priest?