Recording at King Jammy’s and Channel One in the late 80s, with Junior Delgado at the controls, Mice let off a series of records amongst the very deadliest of digital reggae.

These are the blistering dubs to the companion album, many of them previously unreleased.

‘... deliciously haunting… rekindles the spirit of DIY that their British counterparts have so patently forgotten’, The Times; ‘startlingly poignant’, Metro.

‘one of the most charming idiosyncrasies I have heard all year… where truth is seized accidentally and musical shambles are sweet, virtuous and silly… like watching early Bunuel without subtitles’ (Plan B).

‘The bad influences’, from Bogota, with their third album for us: twenty-eight gorgeous variations of saudade, in a warmly acoustic, post-punk take on Tropicalismo — impromptu, snapshot and sublime.

‘Lovely… another gem from Nashville’s underground’, Word; ‘one of the finest pop records ever made by a Nashville band’, Nashville Scene.

Music for spirit possession ceremonies, performed on the goge, a bowed single-string spike-fiddle — a half-calabash covered in iguana skin, with a wooden neck, and a string made of bunched horsehair.

Dangdut, melayu, gambus, punk, rap, psych, Islamic folk, you name it; with snatches of news, karaoke call-ins, ads, prayers and US-style station-IDs.

His best, most adventurous LP — reaching but carnivalesque — with George reining in his inner Roland Kirk, Grant Green keeping it real, and underrated organist Billy Gardner pushing the boat out into more unpredictable waters.

Classic spiritual jazz from 1980, with the great bassist Cecil McBee, vocalists Angela Bofil and Bessie Carter, saxophonists Steve Coleman and Byard Lancaster, and cellist Muneer Abdul Fataah.

Finally — with its guitar-less Elektronika Demonika soundtrack on CD. ‘Diabolical… a phantasmagoric presentation of demonic and divine imagery to put the viewer into an altered state of darkened awareness.’

Instrumentals on electric guitar and organ. Tiny pressing from last year.

His last two albums for Ko Ko, from 1976 and ‘77, a kind of curtains for vintage Muscle Shoals soul.