Her 1968 masterwork, arranged by Jean-Claude Vannier, originally released on Saravah. Approved by Brigitte, this expanded edition features the original album, newly remastered from the original tapes, along with a second album of demos, instrumentals, and a live rendition of Il Pleut recorded for France Inter/ORTF. With a twenty-page bilingual booklet, including an introduction by Laetitia Sadier, plus full lyrics and rare archival photos.

The single LP via Rhino is in lovely mono.

The double LP is newly transferred from the master tapes, remastered, and cut at 45rpm, in an all-analogue process.
Presented in a gorgeous gatefold sleeve by Analogue Productions, as part of its Atlantic 75 audiophile series.

Stone-classic sexed-up Detroit electro banger. Killer diller.

‘Oo-ooh, I’m burning…’
Slinky, sultry, in-the-pocket West Coast soul, from BG’s forgotten, late-seventies stint with Warners.
It shames the assignations in Lew Kirton’s classic Heaven in the Afternoon — out the same year — as routine, pedestrian sex.
Lovely, entwined piano and xylophone.
Composed by Mac Davis, who wrote In The Ghetto for Elvis. ‘I try to tell the truth and hope it rhymes.’
Killer.

With Michael Smith on piano, Noel McGhie on drums, and Bob Reid on bass, in April 1974; originally released by Calumet Records.

Four thrilling rounds of rampage, school of Basic Channel.