His terrific Positive-Negative LP from 1976, plus singles for Golden Voice, Mercury and Tosted (including the original Now That I Have You), and the sixties sides of his organ-funk combo the TMGs.
Lovely, characterful, poignant soul music which irresistibly radiates the singer’s worship of Curtis Mayfield and Marvin Gaye.
Al Green, Philly Soul and also-ran frustration are in the wings: What Can I Do came out of Grand Rapids on the coat-tails of Back Up Train; I’m A Stranger was recorded at Sigma, in the slipstream of Be Thankful For What You Got.

“I’m out here all alone… trying to find my way… I don’t know where to roam… I just don’t know what to say about all this… I’m a stranger.”

The return of the AACM flautist to the visionary, Afro-futurist science fiction of Octavia Butler, alongside theremin-player Harris, together with fellow Chicago luminaries like cellist Tomeka Reid and trumpeter Ben LaMar Gay.
Tumultuous, visceral musical reflections on Butler’s ideas about Apocalypse, power, hybridity-versus-identity, race and feminism. ‘Writing myself in,’ she called it.

‘Mind-melting West Javanese gong pop, recorded in 2007 at Jugala studios in Bandung, based on a Javanese secular village music and dance tradition known as ketuk-tila, which was transformed into a popular studio music in the early 1960s by the producer Gugum Gumbira, founder of Jugala. With vocals by Idjah Hadidjah, one of the key historic voices of jaipongan, the situation here is disorientatingly heavy, low bpm gong pressure coming straight from the originators. It is a much less dainty affair than classical Javanese gamelan, and less febrile than the fully automatic Balinese variant. Hadidjah’s golden voice sews together shifting polyrhythms that would baffle a watchmaker; the whole is embroidered by rehab and underpinned by Mariana Trench level bass drops. A second disc features a set of thoughtful electronic reworkings’ (Frances Gooding, The Wire).

An excellent introduction — a tip-top, well-paced selection ranging across styles and vintages, with some marvellous photographs of the great man at Kingston airport, Canada-bound.

The first of three volumes surveying surely the mightiest Gospel label of them all.
Stomping, rollicking gospel music, intermingling with raw soul, searing blues, hard-rocking doo-wop and jazz, and storming r&b.
Infused and incandescent with the hurting, surging indignation of the Civil Rights movement, here are twenty-four precious scorchers by giants like the Staple Singers and Jimmy Scott, alongside devastating sides by less celebrated names like the Harmonising Five of Burlington, North Carolina, and teen-group the North Philadelphia Juniors, culminating triumphantly with slamming, sanctified versions of Hit The Road Jack and Wade In The Water. Drawn from nigh-impossible-to-find 78s, sevens and LPs, hardly any of these recordings have been reissued since their first release.
Presented in a gatefold sleeve, with full-size booklet; beautifully designed, with stunning, rare photographs and original Savoy artwork. Sound restoration and mastering at Abbey Road; pressed at Pallas.
Co-curated by Greg Belson, compiler of Divine Disco; with deep, extensive notes by Robert Marovich, author of A City Called Heaven: Chicago and the Birth of Gospel Music (University of Illinois), and host of the award-winning radio show Gospel Memories.

The second of three volumes presents sublime crossings of gospel with the soul, funk and jazz of the Black Power era. Twenty cuts dot dazzlingly between Muscle Shoals soul, screwed breakbeat, Mizells-style fusion, disco and proto-house. Triumphant re-workings of Sly Stone, Donny Hathaway and Herbie Hancock’s Head Hunters will have listeners throwing their pew cushions into the air.

Seventeen gems of fierce funk, rapturous soul and transcendent disco and boogie, super-charged with celebration and affirmativeness, loaded with roaring choirs, rocking horns and popping bass guitars, from the years leading up to Savoy’s acquisition by Malaco.

‘The compilation that started the renaissance… twelve tracks of Buddhist Bubblegum Alt Disco Pop recorded during Arthur’s prime years 1985-90.’

Fourteen new pieces of organic beat music cut from the original sessions in New York, Chicago, London and Los Angeles, featuring Brandee Younger, Tomeka Reid, Dezron Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson.

‘What would happen if Erykah Badu, DJ Screw and Sa-Ra had a baby? You’d get Liv.e’ (NPR).
‘Martian soul music’ (Fader).

Celebrating the twentieth year of ensemblehood, BBOJ delivers the band’s signature, funked-up melange of soul, afrobeat and hard riffing jazz. Or, as they call it, ‘now music’. Featuring the humdinger title track of last year’s EP, In The House, this is, as always, uplifting as hell.

‘From the trios of pianists Kyle Shepherd, Bokani Dyer and Yonela Mnana, to the genre-defying exploits of guitarists Vuma Levin and Reza Khota; and from artists inspired by age-old traditions, like Lwanda Gogwana and Mandisi Dyantyis, to the cosmic explorations of Siya Makuzeni, Benjamin Jephta, Thandi Ntuli, Zoë Modiga and Shane Cooper’s Mabuta’  — Johannesburg label Afrosynth rounds up some of SA’s most talented young composers and bandleaders, as well as a wider cast of supporting musicians.

A terrific compilation of vintage UK street soul — at its nexus with rare groove and lovers rock, so intensely nostalgic for us at HJ — by the same crew which put together the excellent For The Love Of You volumes.
A dozen gems here: treasurable DIY labels and whites teeming with raw longing and overproof sincerity, riding limber Soul II Soul-style grooves, wannabe Jam & Lewis, and crunchy, synthy, electro-soul. (The System were the US overmasters of this.)
Just a touch of cheese, a smidgen of sublimely out-of-tune singing, splashes of sploshy beatbox and dodge sampling, a brazen Roy Ayers pinch… components of loveliness.
Calling all midnight ravers and undercover lovers. You know who you are.