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Here are six ravishing ghazals, setting some of the greatest Urdu poetry of the twentieth century, about love and longing. 
Enigmatic, filled with pathos, timeless.
The first-round-knockout is an inspired elaboration of Everybody Loves The Sunshine. (You can hear singer Kenny Stover’s years with Marvin Gaye, too.) Plus terrific original versions of I’m Back For More and Madame Butterfly, as smashed by Al Johnson and Tavares.
The first of two LPs recorded by the vibes player for the Detroit label Tuba, after Riverside went under in 1964. 
With regular trio partners organist Milt Harris and drummer Peppy Hinnant; and Wynton Kelly and George Duvivier dropping in. 
Featuring a cracking version of Duke Pearson’s Christo Redentor, and grooving rug-cutters Possum Grease and Hot Sauce… besides the stone-classic Dingwalls-floor-filler The Man.
Mid-seventies disco, produced by Eddie Drennon — Bo Diddley’s musical director, a decade before — and mixed by Tom Moulton.
Featuring the sublime Last Night Changed It All (I Really Had A Ball) — immortal bump’n'hustle from a woman’s point of view, beloved throughout the Zulu Nation as a queen amongst Ultimate Breaks & Beats, and sampled by De La Soul, BDP, Public Enemy, Guru, The Coup… the lot. (Trust Ghostface to piss in the font.)