‘First vinyl release of the breathtaking songs Patty Waters recorded in 1970 at the Coast Recordings studio, together with the unreleased single My One And Only Love, and a live session recorded at Lone Mountain College in 1974.
‘Here is the missing link between the two groundbreaking ESP LPs from the end of the 60s and the late-90s releases. Whereas PW’s debut album Sings concerned itself with themes of heartbreak, loneliness, and yearning, You Loved Me is abundant with love, joy, and togetherness. Whilst Patti’s songs cross spiritual jazz and US folk revivalism, Touched By Rodin is a brilliant extended showcase for the uneasy Cageian minimalism of her piano playing.’
Patty Waters… admired by Albert Ayler, Miles, Patti Smith, Yoko Ono…

Dark, hypnotic, tripping nyabinghi from 1974.
Led by Ras Michael over four extended excursions, the music is organic, sublime and expansive, grounation-drums and bass heavy (with no rhythm guitar, rather Willie Lindo brilliantly improvising a kind of dazed, harmolodic blues).
Lloyd Charmers and Federal engineer George Raymond stayed up all night after the session, to mix the recording, opening out the enraptured mood into echoing space, adding sparse, startling effects to the keyboards.
At no cost to its deep spirituality, this is the closest reggae comes to psychedelia.

A judicious compilation of cornerstone, pioneering UK Lovers: One Blood, Simplicity, Karen Dixon…

‘Amazing! Like stumbling on a treasure-trove of unheard Charlie Patton and Blind Willie McTell 78s, but imbued with the spirit of Mahlathini and Ladysmith Black Mambazo,’ says Joe Boyd.

‘Classic vinyl.’

Orange vinyl.

Our favourite of all his records.
From 1984, inspired by a Kenneth Patchen chapbook, it favours tenderness, lyricism and expressivity, but without foregoing Brötzmann’s characteristic squalling ferocity and angst. It never drags: he plays baritone, tenor and alto saxes, different clarinets including bass clarinet, and tarogato, bringing every trick and technique to bear on a whirl of feelings and emotions, in pieces nearly all less than five minutes. Bar the gorgeous opening reading of Lonely Woman, it’s all improvised, but utterly compelling, reflective, melodious, ravishing and rawly personal.
Beautiful music; hotly recommended.

‘Beautiful, haunting… spiritual reflection is sung with carnal force, songs of romance are rendered like hymns. For a few moments, on these ancient records, Baghdad sounds like paradise’ (Rolling Stone).