‘Over 200 full-colour pages documenting Dodd’s vinyl output during the first six years of Jamaica’s new urban music — from Boogie Shuffle to Ska. Presented imprint by imprint and illustrated with over 900 label scans. With sections on Dodd’s Sound Systems and businesses as well as the musicians he used and the live scene in Jamaica.’

‘Eight tracks of jagged electronics, heavy basslines, and fractured spoken word collide in a body-jerking soundclash that is both raw and vital.’

Good On Paper enjoyed ‘Baldauf’s crisp, distanced tones accompanied by Roe’s ominous, pulsating programmed bass line and four-to-the-floor whack, coaxing pure pop out of tension and incongruity.’ Electronic Sound Magazine hailed the LP as ‘a blistering, club-forward workout’, with ‘top-drawer, nose-bloodying electronics,’ positioning the Stroud duo as ‘rather like a wonky Tom Tom Club with added grit.’