The 2011 album available on vinyl for the first time.
Bonjo Iyabinghi Noah meets Adrian Sherwood, with numerous guest spots including Jazzwad and Adamski.
Some of the hardest hitting AHC rhythms are here; more tailored to sound-system transmission than ever before.

The first vinyl release of this 2005 reunion of Bonjo Iyabinghi Noah and Adrian Sherwood.
Richly percussive African rhythms, bubbling with trippy effects; pounding bass.

‘The star of the show is Noah’s mesmerising hand drumming, especially on the headspinning Microdosing’ (The Guardian).
‘Easily AHC’s most accessible, vivid approximation yet of Brian Eno’s fabled ‘vision of a psychedelic Africa’’ (Mojo).
‘A ceaselessly unpredictable and eclectic record that manages to sound as traditional as it does experimental’ (Uncut).

Bumptious sauce recorded for Paramount in 1929 by different lineups including Leroy Carr, Scrapper Blackwell, Tampa Red and Blind Blake, and Bob Robinson on banjo and clarinet. Archetypal Crumb; 180g.

Xavier Charles (clarinet, harmonica), Ivar Grydeland (electric guitar, banjo, sruti), Christian Wallumrod (prepared piano, harmonium), Ingar Zach (gran cassa, percussion).

An upful, radiant, chugging version of the McFadden & Whitehead, by way of Harry J, strung out on flute and Syndrums.

Dawn Le Faun with Billy Le Bon, co-singers of The Letting Go and Wai Notes, digging up a modern(ish) parable from deep in their Everlys sack, afore getting down and sliding around on the flip.

The forgotten music of the Austro-Hungarian diaspora in the mid-west of the United States. An Ian Nagoski compilation to inaugurate the label, with a cover by Eric from Mississippi Records.

Beautifully direct Wassoulou songs by the twenty-year-old accompanied only by N’Gou Bagayoko on acoustic guitar.

Kikuyu ‘liquid soul’, Luo benga with its rat-tat-tat beat and layered guitars, Swahili afrobeat, Congolese rumba, plus influences from SA and Zambia, disco and funk, coastal rhythms like chakacha. Mostly from 45s.

A master of the sato (a bowed tambur or long-necked lute held vertically) joined by Tajik singer Ozoda Ashurova in this beautiful, haunting, little-known court music. Plus doyra drum and dotar lute.