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Improvisatory solo piano from 1965 — a trans-Mediterranean crossover based on traditional Algerian song, with roots in Spanish Islamic culture.
Spare, pellucid, and meditative; testing out variations with madcap ivories tickler Johnny Bach at his shoulder.
Hotly recommended.
From 1975, two takes on Joao Donato which ‘strip away the originals’ sophisticated arrangements in favour of a more driving groove and a raw, funky edge that makes them absolute dancefloor weapons.’
Glorious artwork by the one-and-only Limonious, originally drawn for a compilation of sides on Edgar Whyte’s excellent Parish label.
Gildan Hammer tees.
Last chance saloon.
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