From 1969, with Harold Land, Stanley Cowell, Reggie Johnson, and Joe Chambers, coolly charting a path all their own, out of the tumultuous decade.

From 1969, this first collaboration with Harold Land — questing but chilled post-bop — is probably the best.
Steeped in the compositions of Joe Chambers, the closer Pompeian is a tour de force; opening as a waltz, detouring into moody marimba.

With George Coleman, Joe Farrell, Pepper Adams, Wilbur Little, and Candido.

Recorded between Let Freedom Ring and One Step Beyond, it’s presumably the laidback presence of HJ hero Sonny Clark — who also contributes half the compositions — which tips the scales away from JM’s more screwface, outward-bound trajectory, towards good-old-fashioned, limber, bluesy hard bop. Though a throwback, cancelled at the time (and shelved for twenty years), it’s downright classic Blue Note now.

Remarkable 1966 lineup, with James Spaulding, Lee Morgan, Howard Johnson and Kiane Ziwadi in the brass line — the title track reminds you where the Hypnotics are coming from — and McCoy Tyner, besides.

From 1963, following stints for Jackie McLean on One Step Beyond and Destination… Out!, this is maybe the great trombonist’s best record, with Wayne Shorter, Herbie Hancock, and Tony Williams — all involved with Miles around this time — and Cecil McBee. Four Moncur originals: bold, free, forward-looking music; but expansive and assured, never forced. ‘Some other stuff’; not full of itself, but a bit different. Try The Twins — dedicated to his two brothers — for a better sense of his musical good humour.

Aged just 19, with Pepper Adams, Bobby Timmons, Paul Chambers and Philly Joe Jones. Though so early, this is a crucial set, kicking off with a scorching, fresh A Night in Tunisia.
Timmons plays a blinder.

Superb organ jazz from 1965, with Grant Green, Bobby Hutcherson and Otis Finch. Latona was the Jazz Dance weapon; One Step Ahead is knockout, too. A classic Blue Note.