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‘Classic Vinyl Series.’
On the wing with Paul Chambers, and — Miles’ idea — two Latin percussionists, Willie Bobo on drums and timbales, and Osvaldo ‘Chihuahua’ Martinez, conga and bongo.
‘Classic Vinyl Series.’
‘Classic Vinyl Series.’
After two years’ preoccupation with the Miles Davis Quartet, here is Herbie in 1968, ready for the seventies, the old, uptight bebop instincts melting into the balmy, open, innocent textures of fluegelhorn, bass trombone and alto flute, and his own lightly beautiful playing.
‘Classic Vinyl series.’
His third Blue Note as leader, in 1964, with Kenny Dorham, McCoy Tyner, Richard Davis and Elvin Jones. Rhythmically rooted in Trane, unsurprisingly, but Dorham and especially Henderson go their own searching, purposeful ways. The first three are his own compositions. Ace.
‘Classic Vinyl Series.’
Classic Vinyl Series.
‘Classic Vinyl Series.’
A cor-blimey line-up, and a masterpiece, recorded on the first day of spring in 1964. Dorham, Dolphy, Joe Henderson, Richard Davis, Tony Williams.
‘Classic Vinyl Series.’ ‘Ultimate HQ CD’ from Japan, using the recent Craft transfers and mastering.
‘Classic vinyl.’
In the ‘Blue Note Classic Vinyl’ series.
‘Classic Vinyl.’
His first quartet session as leader — with Herbie, Joe Chambers and Bob Cranshaw. Seven BH originals and Maiden Voyage. A kind of breather, in amongst his experiments at this time; relaxed, gorgeous and atmospheric, with brilliant playing.
Warmly recommended.
‘Classic Vinyl series.’
‘Ultimate HQ CD’ from Japan, using the recent Craft transfers and mastering.
Meditative, devotional music pondering racism and ancestorship, co-produced by Meshell Ndegeocello. Featuring the saxophonist’s usual quartet, plus vocalists for the first time — including Ganavya — who shine.
‘Classic vinyl series.’
‘Classic Vinyl.’