Japanese: GXK 8085.

At Hibiya Public Hall on January 14, 1961, with Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt, during the Mesengers’ first-ever tour of Japan.
Jet-propelled, soaring performances of jazz staples including Bird’s Now’s the Time and Monk’s Round About Midnight, and Messenger bangers like Blues March, Dat Dere, and Moanin’.
Elaborate booklets feature rare photos by Japanese photographers Shunji Okura and Hozumi Nakadaira; an essay by Bob Blumenthal; plus new interviews with Wayne Shorter in conversation with Blue Note president Don Was, celebrated saxophonist Lou Donaldson, Japanese jazz star Sadao Watanabe, renowned Japanese music critic Reiko Yukawa, Blakey’s son Takashi Blakey, and a trio of drum greats in Louis Hayes, Billy Hart, and Cindy Blackman Santana. Audio was newly transferred from the original ¼” tape reels, and the vinyl edition was mastered by Bernie Grundman and pressed on 180g vinyl at RTI.

‘Classic Vinyl Series.’

Right up there with Blacks & Blues, the flautist’s third LP collaboration with the Mizells is the triumphant culmination of her stint at Blue Note, kicking off with the glorious Latin jazz fusion of Uno Esta. The top-notch crew includes Dorothy Ashby, Julian Priester, Roger Glenn, and Harvey Mason.
Stylishly designed, like all six of her Blue Notes; featuring art-work by Barbara Nessim.

Reshapes of classics by Art Blakey, Horace Silver, Hank Mobley, Dexter Gordon, Kenny Burrell, and Eddie Gale, among others — with contributions from vibraphonist Joel Ross, trumpeter Marquis Hill, alto saxophonist Greg Ward, guitarists Matt Gold and Jeff Parker, bassist Junius Paul, and De’Sean Jones on tenor saxophone and flute. 
“When piecing everything together, I wanted to create a narrative that made the listener feel like they were falling into this space or a movement. I was really trying to make a record out of it, not just a series of tracks… The music that we’re making now is part of the same route and is connected, so I want to honor tradition and release something that people can vibe to.”

It’s a Christmas album but fear ye not. It’s from the same six months as How Insensitive and Now Hear This, with Airto running between these sessions and the recording of Bitches Brew. Try the grooving opener, with DP alternating on piano and celeste.

Our Thing, In ‘N Out, Inner Urge, The State Of The Tenor Volumes 1 & 2.

Night Dreamer, The Soothsayer, Etcetera, Adam’s Apple, Schizophrenia.

Takin’ Off, My Point Of View, Inventions & Dimensions, Speak Like A Child, The Prisoner.

Delightfulee, The Cooker, Leeway, The Rumproller, Search For The New Land.

Idle Moments, Street Of Dreams, The Latin Bit, Grant’s First Stand, I Want To Hold Your Hand.

Home Cookin’, Crazy! Baby, Midnight Special, Back At The Chicken Shack, Softly As A Summer Breeze.

A never-before-released studio album!
Recorded on March 8 1959 in Rudy Van Gelder’s living-room studio in Hackensack, New Jersey, one month before the Birdland shows which produced the killer twin LPs Art Blakey And The Jazz Messengers At The Jazz Corner Of The World, this features the same lineup: Blakey, Lee Morgan, Hank Mobley, Bobby Timmons and Jymie Merritt. Two tunes only show up here, including Timmons’ Quick Trick; besides three Mobley compositions.
The LP is an all-analogue 180g vinyl pressing.
Cor.