The alluring, mystery female vocalist here is cool and deadly amidst the mayhem, beside a tasty harmonica lead. Nice bebop saxophone, too, on the flip.

Exuberant, celebratory, citational Gappy, over an original rhythm; plus a poised Miss Kjah on the flip, coolly making Ain’t That Loving You her own.

Superb rock steady, from the dark end of the street. Recorded for Sonia Pottinger, on the eve of Delano Stewart’s leaving the group to join Lee Perry. So nice The Heptones did it twice.

Sweet, soaring, rocksteady courtship. BB Seaton, Delano Stewart and Maurice Roberts in top form. Plus a Ken Boothe scorcher — plangent, vocally idiosyncratic, stoic — masterfully channelling Otis.

Perfectly irresistible, bumptious girl-pop from Judy Mowatt’s group.

Very early Glads, from 1967, seemingly pre-Albert Griffiths — and a killer Tommy McCook instrumental. Both previously unreleased Duke Reid productions, when Trojan was properly trojan; by way of Japan.

Sweet rocksteady — expertly arranged, with boss guitar, horns and harmonies.
“We’re going to put it on… we are loaded… (long pause)... with soul music.”

Very nice, evocative mixture of ska, meringue, swing and co, from 1960, suited and booted by Dub Store.

Juggernaut version of the Four Tops, with Ike Bennett at the organ leading Ilya Kuryakin on the flip.