Ace vocal excursion on Augustus Pablo’s monumental 555 Crown Street rhythm, from 1979.
Notwithstanding his unforgettable Fuckerys A Gwaan, that’s gotta be Jah Bull’s finest moment, on the flip.

The Afrotone’s beautiful, sad excoriation of war, militarism and stock notions of military heroism.
Scars of war? Me no want.
Originally out in 1983 on Vin Hur. With the High Times Players.

Driving Shaka murder. Fury and yearning folded into a perfect blend of digital and old-school music-making. A drum-machine and Bagga Walker from Studio One tear up the dub. Complete with rare, ebullient Colarman toast.

Moody, heavy lovers, detourned by FW’s full-throated falsetto. Ace.

Heartically hymning male companionship over the same tough digi rhythm as Nathan Skyers’ Tribute To The Heroes… plus the dub. Previously unreleased.

The bees knees in soulful rocksteady. The elegant, poised singer rides killer Studio One rhythms by Jackie Mittoo and co, featuring magisterial soloing and beautiful backing vocals. Unmissable classics like How Can I Love Someone and Don’t Know. It’s a must.

Inimitably mixed by King Tubby; The Aggrovators on top form, likewise; rocking horns.
With an excellent Temps, and three lovely Chicago Soul covers. Nobody does reggae-soul better than Delroy.
Aka Sings For I & I.

Coupled with Ken Boothe’s Boothe Unlimited LP, another Lloyd Charmers production.

Classy, proto-lovers, full-scale do-over of the Robert John 45 still big in Northern Soul circles.
The original arranger, none other than Gene Page gets a run for his money in the typically sophisticated instrumental version by Geoffrey Chung and the In Crowd.