Fab Phang chugger. Barrington kills it; grooving dub.

Ishu and Xylon from Sound Iration, produced by Manasseh for Youth Sound in 1990. Quality digi UK steppers, with a nice melodica version, and a hollowed-out dub.

Total murder.
Bernard Brown, Carlton Gregory, and Noel ‘Bunny’ Brown (from the Chosen Few), originally on the April imprint out of NYC in 1978.
Steppers paranoia par excellence.

Superb Caribbean disco by the same Trini bros behind the West End boogie classic Touch Your Life. Lithely grooving; expertly arranged.
Presumably the same Glen Miller who did Whey No Dead and How Can You Mend, for Studio One.

Vintage UK digital, animated by Sugar; a Shaka tune in the day.
(A bit disappointingly, Preacher Cleavie Jefferey is three men: producers Preacher, Cleveland Neunie and Jeffrey Beckford.)

Fierily imperious roots from 1998, for Opera House. With Mikey General and a dub; and a show-stealing toast from label-boss Buccaneer.

Ace soundclash deejaying over a banging digital excursion on Rockfort Rock.
Trumps the Fatis piece.

Superb, under-the-radar, late-seventies roots. Beautifully sung, punchy, serious-minded; but under-stated and natural.
‘The world is getting dread… dreader dread… so stand up, and look up… for the time is so hard… harder times to come.’
Crucial bunny.

Irresistible mid-eighties dancehall vibes from Music Mountain Studios.

Ace, driving, digital roots, with a lethal dub.
Reggae veteran Dennis Fearon lends a hand.

The Don in full flight over late-nineties Bunny Gemini. Plus a Yami Bolo, and both dubs.

Gospelised roots, produced by Delroy Collins in the late 1990s, with mixes by the Disciples.

Outstanding, widescreen, blazing modern roots by way of the Dubmatix crew in Toronto. Horace Andy, too; and a shot of Wackies style and fashion in the mix.