Monumental Tubbys digi terror. Tougher than Lee Van Cleef. Heavier than lead and cold as ice.

Nice gospelized harmonies… with a touch of The Lecture to the flip-side sufferers.

Taking its name from Jezreel, the Biblical city founded by the tribe of Issachar, where God is said to have cursed Ahab for his greed, this singing duo’s debut Wackies album is steeped in rasta spirituality.

All Depends is an intimate, spare do-over of the Spiderman rhythm which Yellowman smashed with Operation Eradication: eight minutes of yearning and pleading, dosed with the stylings of the original Night Nurse himself.
I Put My Trust swaps religious for amorous devotion: musically it is more characteristically Wackies, reverberating but crisp as a biscuit, stepping but spaced-out. Neither track appears on the LP, Great Jah Jah.
Warehouse find; last box.

Black Ark business.

Anthony Doyley is the singer on The Classics’ Civilization. Here he is tearing up the mic ten years later in 1980, two years after Knowledge stopped at the Black Ark.
Imagine being managed by Tapper Zukie.

Ishu and Xylon from Sound Iration, produced by Manasseh for Youth Sound in 1990. Quality digi UK steppers, with a nice melodica version, and a hollowed-out dub.

The Love Joys’ first album, initially released in 1981 on the Florida-based Top Ranking label. Ten tunes produced and recorded at Wackies NY, ranging from lovers rock and uptempo dance vibes to roots and reality.