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The classic set of Scientist / Jammy / Roots Radics dubs, originally out on Starlight Records in 1982, now matched with its vocal counterparts, including previously unreleased cuts by Hell & Fire, Sister Nancy and Papa Tullo. The vinyl comes with a two-feet-square colour poster of Tony McDermott’s cover art.
Heavy Al Campbell productions given the golden touch by three master engineers — Channel One dons Stanley ‘Barnabas’ Bryan and Lancelot ‘Maxie’ Mackenzie, and the one and only Hopeton Brown.
It was Al Campbell who produced Linval Thompson’s classic sides. Barnabus started up with Channel One when he was still at school; he was deejay for the sound; he learned mixing from Tubby; Sly taught him drums. Maxie was the technical whiz who built Channel One’s studio and sound-system amplifiers.
Originally out on Silver Kamel in 1981.
The great reggae saxophonist surfing a dazzling array of immortal Glen Brown instrumentals and dubs, like Dirty Harry, Mr Bald Head Aitken, Merry Up, South East Music, Fathers Call, Music From South Side…
GB the Rhythm Master is right up there in the first pantheon of reggae producers, with the Upsetter, Niney and one or two others; stuff like Dirty Harry is the food of gods. 
A deeply pleasurable set, warmly recommended.
Mixed by Ossie Hibbert, originally on Cash And Carry — mostly the dubs of Gregory’s Mr Isaacs album, with the Revolutionaries.
Excellent dub set originally released in 1988, based around Tetrack’s classic Let’s Get Started LP, from nearly a decade before. Roomy and reverberating, with synths preferred to melodica.
Classy digi dub from 1987 — the living, but chilled and de-populated Pablo sound-world — with killer dillers like Raggamuffin Year and Seven Seals on the desk.