Copper-bottomed rocksteady do-over of Take Five, by Buster’s go-to saxophonist. The title is nicked from a comedy film directed by Norman Jewison, out a couple of years beforehand in 1966.
Plus Glen Adams having a not so shabby go at an Eddie Holman, on the flip.

Look out for Wayne McGhie, Jackie Mittoo and Johnny Osbourne passing through from Studio One. Also Alton Ellis’ son, Noel, and numerous local one-aways. Lovingly researched.

Extended, with dub.

Riveting roots harmony reasoning over a spare, brooding dub, produced by Sly & Robbie at Channel One in the early 80s, and previously only released on dubplate.
A must.

Agony aunts Clifford Morrison and Dada Smith from The Bassies, with George Blake replacing Leroy Fischer, in 1969. Cornerstone moonstompers, both sides.

Magnificent dub album out originally on the Senrab label in 1976, drawing on a series of brilliant sevens and twelves on labels like City Line and Wackies, and sister imprints like Upton, Versatile, and Munchie Jackson’s Earth label. Core rhythm tracks from Jamaica — Treasure Isle mostly, with Tubbys mixes — worked over at the Sounds Unlimited studio on E 24th Street in Manhattan, given the full treatment by Lloyd Barnes alongside Prince Douglas and Jah Upton, in the first months of the White Plains Road headquarters.

Magnificent, militant roots with the heart of a lion. Bunny’s greatest record under his own name, much superior to the version on the Liberation LP, this was originally released as a UK disco 45 in the early eighties.