Rollicking, mid-sixties, post-Skatalites ska thriller, led by Bobby Ellis and Roland Alphonso, with slightly different soloing to the original release.
Backed with a charming, forsaken, rare Summertairs: ‘I love you, Errol… come back today… but not too late… Errol, my dear.’

Stone cold murder. Archetypal, slow-mo, eastern-sounds post-ska from Jackie Mittoo, Dizzy Moore, Roland Alphonso and co, around 1965.

A terrific haul of Studio One essays in soul and funk, from the close of the sixties, and early seventies; stuffed with gems and rarities.
The Gladiators, Zoot Simms, Cedric Brooks, Sound Dimension…  a killer lineup in sparkling renditions of Sly and The Family Stone, Diana Ross and The Supremes, Nina Simone, Gene Chandler, Tyrone Davis and co.

With a sweet Hamlins on the flip.

Scorcher. Ska at the threshold of rocksteady. Mittoo and Dizzy Moore do it to it.

A jewel-strewn glimpse of the couple of years it took this group to invent reggae, as the Studio One house-band from 1967 till the decade turned.
Mittoo and Robbie Lynn, Cedric, Horsemouth, Eric Frater (wielding a ‘Sound Dimension’ echo and delay), Sibbles, Ernest Ranglin and full crew.
Funkier than a mosquito’s tweeter.

Ruggedly funky, tantalisingly rare do-over of Sly & The Family Stone, by Jackie Mittoo and the crew.

Crucial Gil Cang re-do of the eighties classic, with the man himself at the mic.

Vintage Tikiman. Instrumentalist, singer and producer; laying back in both analogue and digital settings.

‘Perhaps the first time he has chosen to showcase the full range of his skills. The set is intoxicatingly rich and, with a couple of exceptions, largely downbeat… Sonically there’s much more variation — if not in the pace of the riddims, then certainly the instrumentation and textures — making it St. Hilaire’s most approachable album for non-dub-techno aficionados… A modern master whose importance and influence can now — though long overdue — be fully recognised’ ((Steve Barker, The Wire).