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Harry Partch
The World Of Harry Partch
Columbia
This is a great way into Partch, revisiting with gusto three well-known, relatively-compact works — a highly rhythmic dance piece, a cross-cutting film score, and Barstow, with HP intoning hitchhiker graffiti.
Dreamy percussion exotica by a group of fourteen-year-old students (ten girls, including Evelyn Glennie, and one boy) in Aberdeen, 1978.
The Vannier collaborator births this Finders Keepers’ imprint with a late-sixties knockabout conceptual-pop riposte to musique concrete: found sound, industrial noise, piano jazz, avant orchestration, signature cimbalom.
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