Iain Ballamy and Thomas Strønen, joined by Christian Fennesz. ‘Powerful grooves, evocative textures and exploratory improvisation, sometimes hypnotically insistent, sometimes turbulent.’
‘Heavier, drier, connecting more with how we actually sound live,’ says Strønen.

Ravishing, melodic and lyrical, but also poised and alert piano-playing.

His lovely, lyrical jazz trumpet-playing blended with the Corsican polyphony of A Filetta, and the bandoneon of Daniele Di Bonaventura, in the tradition of Miles’ take on Rodrigues’ Concierto de Aranjuez.

Gibson semi-acoustic and double-bass duets — a Fats Domino, a Konitz and a Motian, various originals, Goldfinger, Carter Family Americana — recorded live at the Village Vanguard in 2016.

Mick Goodrick guitar, Pat Metheny guitars, Steve Swallow bass guitar, Bob Moses percussion, Eberhard Weber bass.

Luminessence Series.

The Verve LPs Fusion and Thesis — intense, questing, game-changing masterworks.
Jesus Maria tears up funerals.

With bassist Mats Eilertsen and saxophonist Tore Brunborg — and introducing the seductive, bluesy voice of Kristin Asbjornsen on Tord’s settings of the poetry of W.H. Auden.

With Steve Coleman, Julian Priester, Marvin Smitty Smith and Kenny Wheeler.

‘Her unique pianistic voice in a varied programme of almost exclusively original music, composed by herself and her colleagues – tenor saxophonist Uli Kempendorff, Marc Muellbauer on double bass and drummer Heinrich Köbberling. A deep respect for the jazz tradition, especially the post-bop and modal jazz of the 60s, permeates this session, and with the quartet’s modern twist, the stage is set for highly expressive soloing and profound interplay.’